Everyone loves a cover version that differs wildly from the original – it’s a natural, human instinct, like sleeping, eating and being physically repulsed by Donald Trump. So Corduroy’s 1993 retro-funk take on Motorhead by speed metal legends Motorhead is a treat for music lovers everywhere.
Lemmy wrote the original Motorhead while he was still in Hawkwind and his next band was named after it. It was his second choice name, behind Bastard. It’s a typical bludgeoning, breakneck behemoth from punk’s favourite metal band; doused in Jack Daniel’s, speed, sweat, leather, denim, long, lank hair and warts.
Corduroy take in Motorhead’s version, burn its clothes, give it a hot bath, cut its hair and lend it a smart new suit. The resulting cover is still recognisable, despite giving each component of the song a thoroughly cheesy funk makeover. Importantly, it manages to retain the energy of the original, even speeding up for the middle section. It’s the same song, cleverly reimagined and it works brilliantly because it’s as funny as it is enjoyable musically. The B-Side, London, England is also great.
Now, I know what you’re thinking – “But, ‘Crumbs, this record was released on Acid Jazz, a label which specialised in bland, insipid, funk-lite, with all the sex removed, aimed at shallow, faux-sophisticated, fashion-conscious dipshits who preferred to listen to something which they were assured by others was cool, rather than go out on a limb and find authentic music that might actually have moved their empty souls”. Well, you may have a point; you may not. But I’d like to think that Corduroy had a bit more kitsch self-awareness and humour about them than your average Acid Jazz band, taking into account the wit in their Motorhead cover and the sleeve of their first album, Dad Man Cat. And even if they didn’t, this is still a great cover version.
Primal Scream also recorded Motorhead for their excellent 1997 album Vanishing Point. It’s OK, but it’s a less a cover version and more of a dance track with the same lyrics and slight melodic nods to the original. I don’t really know why they bothered.
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‘The Model’ by Kraftwerk covered by Big Black – Magnificent Cover Version No.17